6804-0400 Streamliner Tourbillon 18K Rose Gold Vantablack Dial
$92,500.00
Sold by Europeanwatch
Color: Not selected
This H. Moser & Cie. 6804-0400 ranks among the most ambitious watches the independent manufacture has built, a genuine haute horlogerie tourbillon concealed within the fluid, integrated lines of the Streamliner. It speaks to the collector drawn to complication worn without display, serious mechanics housed in a sports watch that gives nothing away at a glance. Driving it is the in-house automatic calibre HMC 804, a self-winding one-minute flying tourbillon governed by Moser's patented double hairspring. The cushion-shaped case is executed in 18K rose gold, measuring 40mm across and 12.1mm in thickness, weighty enough to hold presence yet contoured to sit easily on the wrist. The dial is Vantablack, one of the darkest materials known and borrowed from aerospace, its near-total absorption of light leaving the tourbillon to appear suspended in a void. Few pieces marry a complication of this order to such quiet confidence, and fewer still do it with Moser's economy of line.
6804-0400 Streamliner Tourbillon 18K Rose Gold Vantablack Dial
$92,500.00
Sold by Europeanwatch
This H. Moser & Cie. 6804-0400 ranks among the most ambitious watches the independent manufacture has built, a genuine haute horlogerie tourbillon concealed within the fluid, integrated lines of the Streamliner. It speaks to the collector drawn to complication worn without display, serious mechanics housed in a sports watch that gives nothing away at a glance. Driving it is the in-house automatic calibre HMC 804, a self-winding one-minute flying tourbillon governed by Moser's patented double hairspring. The cushion-shaped case is executed in 18K rose gold, measuring 40mm across and 12.1mm in thickness, weighty enough to hold presence yet contoured to sit easily on the wrist. The dial is Vantablack, one of the darkest materials known and borrowed from aerospace, its near-total absorption of light leaving the tourbillon to appear suspended in a void. Few pieces marry a complication of this order to such quiet confidence, and fewer still do it with Moser's economy of line.