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With its enveloping, organic form and diamond-patterned tufting, the Rohde Easy Chair (1941) is one of Gilbert Rohde’s modernist masterpieces. Reintroduced from the Herman Miller archives after eight decades, its exceptionally comfortable shape shelters its sitter in soft leather or fabric upholstery atop solid oak or walnut tapered legs. It’s emblematic of Rohde’s distinctive aesthetic, which melds organic beauty with human-centric design. “The most interesting thing in the home is the people who live there and I’m designing for them,” he stated, and his signature chair continues to bring a striking, plush presence to living spaces over 80 years later. Made in U.S.A.
With its enveloping, organic form and diamond-patterned tufting, the Rohde Easy Chair (1941) is one of Gilbert Rohde’s modernist masterpieces. Reintroduced from the Herman Miller archives after eight decades, its exceptionally comfortable shape shelters its sitter in soft leather or fabric upholstery atop solid oak or walnut tapered legs. It’s emblematic of Rohde’s distinctive aesthetic, which melds organic beauty with human-centric design. “The most interesting thing in the home is the people who live there and I’m designing for them,” he stated, and his signature chair continues to bring a striking, plush presence to living spaces over 80 years later. Made in U.S.A.