Baby, it’s cold outside, meaning we’re all collectively realizing that the decades-oldpuffersin our closets aren’t going to cut it anymore, while those oh-so-Parisiantrench coatsjust aren’t insulating enough. The simple solution to these woes lies in the common denominator of Selena Gomez’s more-is-more look in “Emilia Perez,” that of Cate Blanchett’s Carol in the eponymous film “Carol,” and Gwyneth Paltrow’s character’s headline-generating, mink-powered ensembles in “The Royal Tenenbaums.” What we’re alluding to here? Fur coats, of course, which have come back to the runways, streets, and front rows with a vengeance, while perhaps signifying the larger return of the 2024“mob wife” aesthetic: all maximalist jewelry and smokey eyes and oversized, plush coats that may or may not be sourced from a real animal.
Baby, it’s cold outside, meaning we’re all collectively realizing that the decades-oldpuffersin our closets aren’t going to cut it anymore, while those oh-so-Parisiantrench coatsjust aren’t insulating enough. The simple solution to these woes lies in the common denominator of Selena Gomez’s more-is-more look in “Emilia Perez,” that of Cate Blanchett’s Carol in the eponymous film “Carol,” and Gwyneth Paltrow’s character’s headline-generating, mink-powered ensembles in “The Royal Tenenbaums.” What we’re alluding to here? Fur coats, of course, which have come back to the runways, streets, and front rows with a vengeance, while perhaps signifying the larger return of the 2024“mob wife” aesthetic: all maximalist jewelry and smokey eyes and oversized, plush coats that may or may not be sourced from a real animal.