Talahassee , Op. 73, No. 4 was composed around 1911 by Cyril Scott (1879-1970) as part of a set of character pieces reflecting his fascination with exoticism, mysticism, and non-European musical color--interests closely tied to his involvement with Theosophy and other spiritual movements of the early 20th century. Written for violin and piano, Talahassee evokes an imagined, atmospheric landscape in a style characteristic of Scott's early mature style, aligning him with contemporaries exploring alternatives to Germanic Romanticism. Today Talahassee occupies a niche but distinctive place in the violin literature. Movements: 1. Bygone memories; 2. After sundown; 3. Negro air and dance. Reprint edition.
Talahassee , Op. 73, No. 4 was composed around 1911 by Cyril Scott (1879-1970) as part of a set of character pieces reflecting his fascination with exoticism, mysticism, and non-European musical color--interests closely tied to his involvement with Theosophy and other spiritual movements of the early 20th century. Written for violin and piano, Talahassee evokes an imagined, atmospheric landscape in a style characteristic of Scott's early mature style, aligning him with contemporaries exploring alternatives to Germanic Romanticism. Today Talahassee occupies a niche but distinctive place in the violin literature. Movements: 1. Bygone memories; 2. After sundown; 3. Negro air and dance. Reprint edition.